Just recently someone gave me a hot tray that they no longer used so I had a go at an encaustic art technique that I saw John Buckland using in an encaustic art DVD. Basically you put your card on the hot tray then apply your wax. You then move the melted wax around with various tools or just a piece of scrunched up tissue. The hot plate that John uses is much larger, has a glass top and a thermostat. Mine is just a narrow hot tray with a steel top and only and on/off switch but it was still fun to try. I made 2 A5 pieces which I cut down to make a few cards. Before I cut them however I photographed them so I can now print them and use them as background papers for other projects.
Draw backs of the hot tray I have:
- The top of the hot tray has a slight grain to it which makes it difficult and time consuming to clean
- It is long and narrow limiting the size of card
- No thermostat control so you have to keep turning it off all the time
- It stays quite hot for quite a while
but then it was built for keeping plates and food warm and not for encaustic art.
Well you would never guess what this started off as….I was trying to do some hot air encaustic cards which I had hoped to would like flowers. I think I managed every mistake possible: too much clear wax, held the heat gun too close and not only did I blow most of the wax off the card but I also managed to make a big bubble on one side. Not to worry I added more colours then just scribbled with the stylus tool and threw some wax to make runs of dots with it too. I cropped the bubble away then used my scribbled abstract for a colourful card.
Card: white, black, encaustic card
Wax: various colours, wax sealer
Other: matching fibres
The last time Carey was up for a visit with the family we got talking about abstract painting and although I have never painted an abstract painting before it struck me that the backgrounds I do for some of my art journals are just that. So I did this painting for Carey’s card using the same methods I would for a background but with really bright blocks of colour and almost filling the page. I am quite pleased with the results but it is hard to know when to stop adding bits.
Inks/paint: blue, yellow, red, black and white acrylic paint, coloured pens
Card: water colour card and a large aperture card
Other: stencils, sequin waste, bottle caps, daubers